Key Takeaways In round sculpture means carving a three-dimensional figure that is fully viewable from all sides, unlike relief carving which attaches to a background. It is one of the most rewarding and challenging forms of woodcarving, requiring the artist to think in three dimensions at every stage of the work. In round sculpture is...Continue Reading
Key Takeaways Foreshortening is a visual technique where an object or body part appears compressed or shorter than it actually is because of the viewing angle. Understanding this concept is essential for any sculptor or woodcarver who wants their finished piece to look natural and convincing from a specific vantage point. Foreshortening describes the visual...Continue Reading
Key Takeaways Sculpture in the round is three-dimensional carving meant to be viewed from all sides. Unlike relief carving, it demands careful planning, strong tool control, and an understanding of form from every angle. Whether you are a beginner or an experienced carver, mastering this technique opens up a rewarding range of creative possibilities in...Continue Reading
Key Takeaways Woodcarving illustrated guides break down complex techniques into visual, step-by-step lessons that beginners and experienced carvers can follow. Whether you are picking up a knife for the first time or refining a specialty skill, illustrated woodcarving resources give you a clear path from blank wood to finished piece. Illustrated guides show tool angles,...Continue Reading
Key Takeaways Living African American women who practice direct carving in stone or wood are exceptionally rare, with only one to three artists documented today Historical figures like Edmonia Lewis and Elizabeth Catlett carved directly in stone and marble, establishing a powerful tradition that few have continued Direct carving requires physical strength, dedicated studio space,...Continue Reading
Key Takeaways Direct carving in stone and wood requires understanding how each material behaves before you ever pick up a chisel Choosing the right stone or wood is as creative a decision as any cut you’ll make Surface treatment, negative space, and tool selection all shape the final piece as much as the carving itself...Continue Reading
I reflect on teaching direct carving in wood at Woodstock School of Art and carrying on the tradition my mentor, Lorrie Goulet, passed down to me.Continue Reading
This video show the photos I took as I carved a shishito pepper. First I made a casting of the pepper and then carved it in alabaster stone.Continue Reading
The show of my work at Harmon-Meek Gallery in February, 2023, was a high point for me. Pieces by Lorrie Goulet and Jose DeCreeft were also shown.Continue Reading
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